Thinking About Where Do Book Series Begin? End?

My obsession with series continues. You can blame it on The Grumpy Dragon and its suggestion that I write a sequel to There Be Demons. The thought's scary like jumping off a cliff without a parachute.

Why? All the novels that have come out of my computer so far have grown organically as my characters careened from one situation to the next. The Demons sequel demands a outline. Why? Because if there's a middle, there logically has to be an end. Seems to me setting up the situation is the easy part. The rest has to build an expand on what happened before.

What are your feelings on this?

Cricket McCrae, aka Bailey Cates, poured gas on my fire, aka questions. She's the author of the Magical Bakery Mysteries among others. I recently read the last two in the series ... trilogy? ... close together -- Bewitched, Bothered, and Biscotti and Charms and Chocolate Chips. Yeah, the titles reek of cozy cutesie, but I read and enjoyed them anyway -- without having to control my gag reflex. McCrae/Bailey has a light touch with murder. I'll take my smiles where I can find them.

The first book,  Brownies and Broomsticks, sets up the series when Katie Lightfoot moves to Savannah, GA. She hopes to start a new career helping her aunt and uncle set up a bakery. Lightfoot's running from a bad job, a relationship gone teminal, and a mother who forgot to tell her she was a witch-in-waiting. The most important "man" in her life is the stray mutt who sets himself up as her familiar though the book sets up two possible suitors.  The storyline follows her trek of discovery -- including a knack for sleuthing when her uncle becomes the prime suspect in a murder. 

Bewitched, Bothered and Biscotti has Lighfoot learning her magical abilities mean more than charming the baked good with herbs and good intentions. She continues finding murdered bodies and solving crimes, in spite of police opposition. She's also in the enviable situation of choosing between two hunks -- one with magic and one normal. Lightfoot also comes to terms with the fact she's a witch and learns about the various permutations the Craft can take. The most important revelation in the second volume is that Lightfoot is more powerful than a common hedge witch ...only she has no one to teach her.

Charms and Chocolate Chips continues Lightfoot's journey -- and leaves me hanging. Is the book the last of a trilogy or the third in an ongoing series? 

Lightfoot is becoming part of the community now and is volunteering for a local conservation group when the director is murdered, supposedly because she opposed the sale of a swamp to a consortium who wants to build a golf course. She settles on the normal guy for romance, but she doesn't know if she can make it work, especially when she puts him in harm's way. 

Her mother coming to Savannah to reconcile with Lightfoot makes me wonder if there will be more Lightfoot mysteries. Many of the protagonist's problems are wrapped up in an acceptable way in this book, including a reconciliation with her mother. I can see where the series could go on as Lightfoot solves more murders in Savannah. But took a look at the author websites, but didn't find any clues as to the writer's intentions.

So what about the writing craft aspects of these novels? I especially admire how McCrae/Bailey draws her characters. Even the tertiary ones are well-rounded. The plots twist enough to be interesting. Her villains are well motivated. McCrae/Bailey puts together a nice paranormal mystery, based on nice people you wouldn't mind knowing. Maybe even make you wish you did know people like them.

McCrae/Bailey stirs up a nice, cross-genre confection. I'm stuffing all three volumes in my overloaded book shelves. Five stars to the series as well as the individual books.

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Writers write, right? Sometime during the day, I know I'm supposed to write. I try. Really I do. I even have a schedule. Toy with Forbidden Fruit in the evenings. [I still want to publish more novellas about the my Half-Elven world.] 

In the morning, I was working on edits for Black Tail's War. Now, I'm launching a new project. Why?

1. Taking Vengeance is finally up on Amazon, Nook, and Smashwords. I need to promote it.
2. I've submitted The Noticing One, a short story, to Amazon singles.
3. Since it worked the first time with Night for the Gargoyles, I'm writing a short story set in the world of the sequel to There Be Demons. Even have a tentative book title, Crossing the River.

Think that's enough on my plate.

Oh, I've been offering Taking Vengeance free on Smashwords to people who follow me on the various social media that consume too much of my time. The code is EG75E, and it's good until 30 November 2013. Link to buy

If you like it, I'd appreciate a review. Just a short paragraph. No Master's Thesis.

Finders, Keepers?

The Read:  One of the delicious things about used book stores is finding new authors.  The books are cheap enough for this cheapskate to be willing to take a chance on buying -- even if it ends up on the trade pile before it's read.  The question:  "Will the book be a trader or a keeper?" adds a little excitement to the read.  --  I get the added the added value of a possible discovery.

So, the find: Caitlin Kittredge,  Night Life ... set in an imaginary place called Nocturne City where a war between weres, witches, and humans left a huge "non-functional" hole in the middle of a uber-planned community.  The MC is an isolated were who's a detective on the police force who has problems with her boss and colleagues.   So, what's new?  These are the minor nuisances.  Her real problem is a blood witch who's trying to raise a demon and has a were minion to do the serial killings needed for the offering. 

Kittredge has a nice lean style -- with the back story well contained by the action.  1) By the end of the first third of the book, we know she's "unpacked" were with family problems which don't all come from her being a were and why.  We also know she has problems on the job with both the power structure and colleagues.  2)  The middle third, laces murders with clues of who's doing what and reveals the bad guy as being more powerful, socially and occultly, than first thought.  [Personally, I thought he should be shown in action more than being referred too, but that's a quibble.]  3) The ending starts within the last 20% of the book and not only wraps the loose ends, but leaves lots going for the sequel ... including a developing love interest.

I suspect that this may have been one of those super-long drafts chopped into three novels.  Yeah, I'll probably read the sequel in spite of the YA novels waiting on the table and Beka, Terrier on order.

Web Notes:  Didn't really do much web browsing over the week-end.  Easter dinner was at my house so my back/hip creaked along between rests until I managed to get dinner on the table.  Way too much food, but the F2 units have their vegies all clean and ready to stuff in their lunch bags.  --  Doubt that, but I have my lunch vegies in a container waiting.

A couple New York Times articles did raise an interesting question that all writers need to answer.  Is writing fun?  Especially, liked the article about David Remnick, the editor of the The New Yorker, who wrote a book about Obama in his spare time.  Was he worried that editing a major magazine would get in the way of his book writing?  No.  (Coffee took care of that.)  

The guy worried about whether his curiosity would last long enough for him to get the info out of his head.  I guess he liked it enough to finish.  The article mentioned a book called "The Bridge".  [5 April 2010, the business section]

Progress:  Maren's still twisting in the breeze.  Oh, I've shifted words here and deleted words there and added words every where.  But, to what purpose?  Who knows?  Nothin's jelling yet. 

Got a rejection of a short story I'd written last year when I was tried on the "dictum" [that it helps to have sold short pieces to catch an agent's eye] would lead me.  I know I can't write short fiction -- though I've gotten some nice comments on rejected submissions, even for a couple flash fiction pieces.  Whatever, this rejector thought I had "great potential as a writer and shouldn't give up" but that I hadn't developed my villain's character enough.  Guess what?  She was right.  [At least, I think it was a she from the handwriting.]

One problem with writing Maren: I've been wallowing with my search for a villain to carry the story.  I've got my minor nuisances.  I've got my heros.  I've got my side-kicks.  Now I think I've found my friend-enemy villain sitting in a short story.  At least, I'm going to run with it and see where it takes me.

Trivia:  Easter happened with all sorts of jokes about lamb intestine soup.  [A Greek Easter delicacy.]   The hamburgers were great.  Something nice about getting the grill going in April.  My question: why do grill hamburgers taste so much better than pan burgers?